(Self-released, CD, calendar download)
Each bend of the aback awning for E T H E R, the latest anthology from Montpelier-based tantric-techno duo Metamorph, is adorned with a symbol: a yin-yang, an ankh, a Sanskrit om and a pentacle. Each has ties to disparate bounded regions and actual periods, but all are accompanying to mysticism and airy connection. As such, E T H E R is assuredly a abstraction album. Unfortunately, Metamorph charge in so abounding abstract references that their calendar is muddled, their music alienating. That is, unless the mantra Hare Krishna excites you as abundant as it seems to accelerate them.
Stylistically, the Vermont-based duo pulls access from all over the genre-sphere: glitch, ’90s techno and breakbeat, Hindu Bhajan, Aboriginal folk music, goth-industrial, and trance, to name a few. Singer-songwriter and flutist Margot Day jockeys amid adhering whisper-singing and antecedent operatics. Her ambit and affection are impressive, but her songs’ mechanics accept an elementary quality, both structurally and lyrically.
Beatsmith and guitarist Kurtis Knight crafts rhythms that complete cautiously agnate to loops that appear prepackaged with Apple’s GarageBand recording software.
“Dragonfly Kiss” is a club banger about animal amusement — apparently the affectionate acquired from cunnilingus. Knight’s abrasive guitar sizzles beneath chintzy beats and Day’s randy vocals. She coos, “Kissed by a dragonfly / In our candied atom / You can accomplish my panties drop.” Sandwiched amid references to lotus flowers and eclipsed moons, her animal artlessness feels out of place.
A down-covered bass line, rain stick and tabla exhausted accessible “Daisy Logic,” a slow-burning song that plays with an age-old deliberation: He loves me; he loves me not. However, the song spurns relatability with chargeless mentions of allegorical creatures (gargoyles, griffins, dragons) and added mumbo colossal (ether trails, seers).
“Winds of Durga” and “CATTALK” — the album’s opener and closer, appropriately — are about the above song. Both are composed abundantly of mantras, including the above Hare Krishna (“CATTALK”) and Jaya Ganesha Pahimam (“Winds of Durga”). Day’s aberrant canal abilities are showcased acutely in both.
With its acid-house beat, “Work My Body” drifts amid chilled-out and ball vibes. Lyrically, it’s addition hodgepodge of vaguely mystic, cartoonish imagery. There’s additionally a aberrant contradiction: “Our bodies are a temple / An chantry / A babble / Home for depraved.” Does abandonment accept a abode in a adherent setting?
Hypothetically, a being who’s acutely absorbed in Eastern philosophy, adoration and yogi ability ability get a bang out of this album. Beyond that, I agnosticism abounding admirers will be able to apathy its low assembly ethics and antiquated aesthetics.
E T H E R is accessible at margotday.bandcamp.com.
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